Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | The Finding of Moses aer | Moses Saved from the Waters of the Nile | Portrait of a Man | Feast in the House of Levi | Mars and Venus United by Love aer |
Related Artists:
Erastus Salisbury Field
1805-1900 American painter. He studied with Samuel F. B. Morse in New York during the winter of 1824-5. On his return to the rural isolation of Leverett, MA, he painted his earliest known work, the portrait of his grandmother Elizabeth Billings Ashley (Springfield, MA, Mus. F.A.). His career as an itinerant portrait painter began in 1826, most of his commissions coming through a network of family associations in western Massachusetts and Connecticut. The portraits of 1836-40 are considered his best. From 1841 he lived mainly in New York, where he expanded his subject-matter to include landscapes and American history pictures. There he presumably studied photography, for on his return to Massachusetts he advertised himself as a daguerreotypist. His few portraits painted after 1841 are copied from his own photographs and lack the expressive characterization and decorative power of his earlier work. From 1865 to 1885 his paintings were based primarily on biblical and patriotic themes. The Historical Monument of the American Republic (1867-88; Springfield, MA, Mus. F.A.) stands alone in American folk art in size (2.82*3.89 m), scope and imaginative vision. Inspired by plans for a national celebration of the centennial of the USA in 1876, Field painted an architectural fantasy of eight towers linked by railway bridges and trains at the tops, with the history of the USA in low-relief sculpture on the exterior surfaces of the towers. Field added two more towers to the painting in 1888 and thereafter retired.
Bacon, Henry
American, 1839-1912
Maillol, Aristide
French Art Nouveau/Nabi Sculptor, 1861-1944 French sculptor, painter, designer and illustrator. He began his career as a painter and tapestry designer, but after c. 1900 devoted himself to three-dimensional work, becoming one of the most important sculptors of the 20th century. He concentrated almost exclusively on the nude female figure in the round, consciously wishing to strip form of all literary associations and architectural context. Although inspired by the Classical tradition of Greek and Roman sculpture